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DTSTART;TZID=UTC:20260212T190000
DTEND;TZID=UTC:20260330T200000
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SUMMARY:“In the Absence of Evidence” — Exhibition by Predrag Koraksić Corax
DESCRIPTION:The exhibition “In the absence of evidence” opens on February 12 at 7 p.m. in the space M90 ​​(Kneza Miloša 3\, Belgrade)\, and will last until March 30 everyday from 10 a.m. to 8 p.m.   \nPredrag Koraksić Corax is one of the most important Serbian political cartoonists and one of the few authors whose works from the nineties seem almost disturbingly current today. His caricatures created during the breakup of Yugoslavia\, the wars and the authoritarian rule of Milošević\, today\, with minimal “aesthetic” changes\, are read again as precise comments on contemporary political reality. Maybe some actors are not present now\, but with a subtle change in hairstyle and facial features\, the same caricatures from the nineties are painfully current and accurately describe what is happening to us today.   \nCorax was born in 1933 in Čačak. He spent his childhood in exile\, as his father was killed by Chetniks at the beginning of the Second World War. He completed high school in Zemun and studied architecture in Belgrade. He began working as a cartoonist in 1950 in the satirical magazine Jež\, launching a long and courageous media career that would make him one of the most recognizable critics of political power in Serbia.      \nOver the decades\, he has been publishing cartoons in numerous newspapers and magazines\, including Večernje novosti\, Borba\, Naša Borba\, and Vreme. Since the founding till today\, he has been regularly publishing his cartoons in the daily newspaper Danas. In 2004\, he was awarded the French Order of the Legion of Honour for his work.  \nCorax’s drawing style\, always unique and instantly recognizable\, was shaped under the strong influence of the American cartoonist and illustrator Saul Steinberg\, which is why his earliest drawings were executed exclusively with pen. Artists such as Pjer Križanić and Ivan Lučev were also among his role models\, with Ivan Lučev playing a particularly significant role: at the beginning of Corax’s career at  Jež\, Lučev gave him anatomy lessons and encouraged him to switch to working with a brush\, a technique that would become one of the hallmarks of his artistic signature. Political cartooning was Corax’s primary interest from the very beginning. With the rise of Slobodan Milošević on the political scene\, he began\, without hesitation\, an open and uncompromising critique of the regime and its policies. During the eleven years of Milošević’s rule\, from the 1990s until 2001\, Corax published around four thousand cartoons that clearly\, courageously\, and precisely bore witness to the reality of that time.The exhibition In the Absence of Evidence presents a concise selection of the artist’s works from the 1990s in dialogue with contemporary cartoons created over the past five years and published in      Danas.  \n \nThe ticket price is 300 RSD.
URL:https://museum90.com/en/event/in-the-absence-of-evidence-exhibition-by-predrag-koraksic-corax/
CATEGORIES:Events
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DTSTART;TZID=UTC:20260218T180000
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SUMMARY:Memories We Don’t Have & the History We Create
DESCRIPTION:On February 14\, one year will have passed since our comrade Borka Vasić left us. She was a fighter for human rights\, social justice\, and animal protection. We remember her as a Romani feminist and peace activist. Her activism was never in the spotlight or neatly packaged for social media — it was a daily\, hands-on response to the needs of people and street animals\, work that mostly remained under the radar.Borka’s story is part of the neglected history of our movements\, a history that calls on us to redefine our understanding of activism and our relationship to older activists who have paved the way for us.     \nn our effort to open space for a feminist future\, we document the histories of our movements\, especially those pushed to the margins\, such as Romani women’s history. We revise the white\, dominant\, and variously privileged narrative about ourselves\, and we gather to remember\, to question\, to speak\, to mourn\, and to reflect. From these processes emerged the short film “Borka: From the Verb ‘To Fight’”\, produced by Befem\, which we will screen on February 18\, 2026\, at 6 PM at the Museum of the 1990s. The screening will be followed by the announcement of a publication on Borka’s life and engagement\, along with a community conversation about mutual care within movements. Join us for this two-hour journey through our past\, present\, and future.
URL:https://museum90.com/en/event/memories-we-dont-have-the-history-we-create/
CATEGORIES:Events
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